The Prefrontal Cortex Lease Agreement
This Prefrontal Cortex of the Artist Lease Agreement is made immediately at the mo-
ment of the User’s request for the service between the Artist, between the current
facilitator of the Prefrontal Cortex of the Artist lease services with its princi-
pal place of performing at Prinsessegracht 4, 2514 AN Den Haag, third oor, room
PB.301, referred later on as the Artist
And
The Prefrontal Cortex of the Artist lease services User, referred later on as the
User.
Whereas, the parties acknowledge the inefciencies present in the existing system
and the necessity for a resolution; and
Whereas, the Artist has proposed to outsource thought processes as a means to ad-
dress these inefciencies; and
Whereas, the Artist intends to provide their computing capabilities to the User
for any purpose deemed necessary by the User, while retaining sole responsibility
for the maintenance and hygiene of the Artist’s Prefrontal Cortex and other bodily
components; and
Whereas, this agreement stems from the Artist’s empathy towards users, recogniz-
ing the current challenges within the brain power exploitation market, which not
only deprives individuals of control over their own cognitive functions but also
diminishes time for spiritual pursuits and erodes social interactions, fostering a
dependence on parasocial relationships;
Now, Therefore, the parties hereby agree that the Artist shall replicate all neces-
sary components at the request of the User, in accordance with the terms set forth
in this Agreement.
1. In consideration of the agreement by the Artist to lease Artist’s
Prefrontal Cortex’s computing abilities and time and power to the User,
the Artist agrees to provide the brain power set out in paragraph 2
below.
2. Benets to the User
From <start date> to <end date>, the Artist agrees:
(1) to utilise the full potential brain power of the Artist to the
clause dened by the User
(2) take full responsibility of the Artist’s brain and body
(consequently the Artist can not guarantee the state of the mind
doing the thinking)
(3) to full any thought request without any exception
(4) to full any thought with the best known understanding of the
idea; including thinking of: abstract thought, images, sounds,
repeating sentences - if the User does not specify the way of the
thought, the Artist has the sovereignty to choose the form freely
from any thought type: verbal, positive, negative, analytical,
constructive, destructive, abstract and symbolic as well as
auditory, imaginary,
(5) to repeat the process in case of external stimuli which stops
the artists concentration or causes the Artist not to be fully
focused on the clause
(6) to full the role of the eclectic monk ‘So the Monks were built
with an eye for originality of design and also for practical
horse-riding ability. This was important. People, and indeed
things, looked more sincere on a horse. So two legs were held to
be both more suitable and cheaper than the more normal primes of
seventeen, nineteen or twenty-three; the skin the Monks were given
was pinkish-looking instead of purple, smooth and soft instead of
crenellated. They were also restricted to just the one mouth and
nose, but were given instead an additional eye, making for a grand
total of two. A strange-looking creature indeed. But truly excel
lent at believing the most preposterous things’
(7) Nothing shall return. These the times
already forgotten; only darkness -
how evil and empty -
sets in mirrors on my own images.
O, I know, by heart I know and do not wish
to repeat; I cannot know my forms
in advance. Thus I die
with half-revealed God on my lips.
3. User obligation
From <start date> to <end date>, the User agrees:
(1) the correct translation of the idea from the User’s mind to
the Artist’s consciousness is solely User’s responsibility
(2) the thought set by the User must t into the time chosen by
the User
(3) to give up creative rights to the thought given to the Artist
(4) not to contact the artist regarding any possible solutions of any
given problem appointed by the User as the Artist becomes the
rightful owner of this and any other ideas that emerged during or
after the process
(5) to redirect the agency of the adhesiveness module
to the Artist
(6) to redirect the agency of the alimentiveness module
to the Artist
(7) to redirect the agency of the amativeness module
to the Artist
(8) to redirect the agency of the acquisitiveness module
to the Artist
(9) to redirect the agency of the causality module
to the Artist
(10) to redirect the agency of the cautiousness module
to the Artist
(11) to redirect the agency of the combativeness module
to the Artist
(12) to redirect the agency of the concentrativeness module
to the Artist
(13) to redirect the agency of the constructiveness module
to the Artist
(14) to redirect the agency of the destructiveness module
to the Artist
(15) to redirect the agency of the ideality module
to the Artist
(16) to redirect the agency of the love of life module
to the Artist
(17) to redirect the agency of the philoprogenitiveness module
to the Artist
(18) to redirect the agency of the secretiveness module
to the Artist
(19) to redirect the agency of the cautiousness module
to the Artist
(20) to redirect the agency of the love of approbation module
to the Artist
(21) to redirect the agency of the self-esteem module
to the Artist
(22) to redirect the agency of the truthfulness module
to the Artist
(23) to redirect the agency of the benevolence module
to the Artist
(24) to redirect the agency of the conscientiousness module
to the Artist
(25) to redirect the agency of the rmness module
to the Artist
(26) to redirect the agency of the hope module
to the Artist
(27) to redirect the agency of the imitation module
to the Artist
(28) to redirect the agency of the veneration module
to the Artist
(29) to redirect the agency of the wit module
to the Artist
(30) to redirect the agency of the mirthfulness module
to the Artist
(31) to redirect the agency of the wonder module
to the Artist
(32) to redirect the agency of the colouring module
to the Artist
(33) to redirect the agency of the eventuality module
to the Artist
(34) to redirect the agency of the form module
to the Artist
(35) to redirect the agency of the hearing module
to the Artist
(36) to redirect the agency of the individuality module
to the Artist
(37) to redirect the agency of the language module
to the Artist
(38) to redirect the agency of the locality module
to the Artist
(39) to redirect the agency of the number module
to the Artist
(40) to redirect the agency of the order module
to the Artist
(41) to redirect the agency of the sight module
to the Artist
(42) to redirect the agency of the size module
to the Artist
(43) to redirect the agency of the smell module
to the Artist
(44) to redirect the agency of the taste module
to the Artist
(45) to redirect the agency of the time module
to the Artist
(46) to redirect the agency of the touch module
to the Artist
(47) to redirect the agency of the tune module
to the Artist
(48) to redirect the agency of the weight module
to the Artist
(49) to redirect the agency of the causality module
to the Artist
(50) to redirect the agency of the comparison module
to the Artist
4. Time and attention
(1) The Artist and the User agree to agree upon commonly agreed time
measurements thus the User is obliged to request a specic time given in
the format - hours, minutes, seconds to the Artist for the fullment of
the thought
(2) Full Artist’s attention is considered as a full meditation on the
thought
5. The modules
(1) the use of the modules derived from phrenology used only for
highlight of the repugnance of the Artist to the topic and the thema
(2) each of the modules is a direct translation of freedom, recognising
that the idea of modules themselves derived from phrenology are meant to
infringe the freedom and dignity
6. Other agreements
(1) the user is responsible for any archaic and untrue methods of brain
segregation as well as any allegations of political incorrectness and
other
(2) the Artist recognises the absurd
